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They were dubbed into English, and in the case of poor Franco, not well dubbed.

Why, I don’t know, but they don’t, and that’s all there is to it.The short novel is billiantly subtle, and its character development is completely believable.Probably the only way to turn the book into a script is to draw up maybe half a page of notes on the basic ideas in the book, and put everything aside.The Key is the most emotionally complex film I’ve ever run across — and the most intricately scripted, designed, and directed.(After all, Brass had 18 years to contemplate these ideas and continually rewrite the script.) The result is a film that goes beyond being profoundly heart-rending.Or perhaps the idea to shoot in English was a concession to the producers who wanted a more commercial product.

In any case, even in the English-language scenes, Barbara Cupisti and Franco Branciaroli spoke Italian, probably because their English wasn’t sufficiently fluent.

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But it’s hard to tell, for the most convincing sound design (Zaira’s pub, toward the end) was entirely the work of the dubbing and folio studios!

For the Italian release all the actors were dubbed into Italian.

Then, a year or so later, go back only to the half-page of notes, and write a new story based on those ideas.